Abstract
The evolution of the designer can be traced back to the figure of Homo Faber, an archetype of a creator who, with ingenuity, developed essential tools like bows and arrows for survival (Cassese, 2018). With the advancement of craft skills, the maker emerged a modern artisan capable of producing objects with high technical and manual skills (MICHELANGELO FOUNDATION, 2018). In recent decades, attention has shifted toward the hacker, one who modifies and adapts pre-existing designs to personalize or enhance them, reflecting a growing culture of sharing and customization. Today, in response to emerging environmental and social issues, a new figure is emerging: the changer. This hybrid, multidisciplinary individual addresses contemporary needs with a pronounced ecological sensitivity, utilizing alternative materials, innovative representational methods, and sustainable design strategies. The changer deepens their expertise because “we do not gain knowledge by positioning ourselves outside of the world; we know because ‘we’ are part of the world.” (Barad, 2007). The changer promotes systemic change, adopting a responsible approach toward the environment, production, and consumption. This figure reflects the growing awareness of the need to design in harmony with the environment, positioning design as a tool for social transformation and resource management. The changer represents a turning point in design, advancing a vision where innovation aligns with sustainability and awareness, anticipating a future in which design is not only a creative act but also a civic and environmental commitment.
Details
Presentation Type
Paper Presentation in a Themed Session
Theme
2026 Special Focus—Design Across Time
KEYWORDS
CRAFTSMANSHIP, HACKER, SUSTAINABILITY, MATERIAL DESIGN, MATERIAL CULTURE
