Regional Expressions of the Divine: A Comparative Study of Hindu Idolatry Across India

Abstract

The way that traditional Indian idols are made shows how cultural, regional, and socioreligious stories interact in complex ways. This study examines the iconography of Goddess Durga, one of the most revered deities in India, whose representations demonstrate remarkable diversity across the country. The research explores the goddess’s form, weapons, and expressions, focusing on how these elements reflect regional aesthetics, local folklore, and cultural practices while also emphasizing their symbolic and ritualistic significance. Key questions include: How do regional narratives shape the iconographic elements of Durga? How are her form and attributes, such as her stance, facial expressions, and weaponry, interpreted and adapted by craftspeople in different regions? By analyzing Durga idols across various states, including Bengal’s elaborate Durga idols, Madhya Pradesh’s marble sculptures, and Karnataka’s iconic Mahishasuramardini stone sculptures, the research highlights the intricate relationship between craft traditions and regional identity. This study seeks to contribute to the understanding of the relationship between cultural narratives and sacred art, emphasizing the enduring diversity and richness of Goddess Durga’s iconography across India’s craft traditions. By analyzing her form, weapons, and expressions in diverse contexts, the research provides a deeper insight into how sacred artistry reflects the cultural fabric of the regions it originates from.

Presenters

Tanima Chanda
Reseach Scholar, Department of Design, Indian Institute of Technology, Delhi, India

Aneesha Sharma
Associate Professor, Design, IIT Delhi

Details

Presentation Type

Paper Presentation in a Themed Session

Theme

Cultural Studies

KEYWORDS

God Iconography, Regional Idolatry, Cultural Narratives