Abstract
Islamophobia has predominantly been examined in the context of Western societies, often framed through the influence of political and cultural forces. However, it is equally significant in nations where Muslims constitute the majority, shaping societal dynamics and cultural outputs such as cinema. This study investigates internalized Islamophobia in Moroccan cinema through the film Horses of God (2012), directed by Nabil Ayouch. Known for his bold depiction of Moroccan social realities, Ayouch explores the socio-political conditions surrounding radicalization and the portrayal of practicing Muslims. This paper critically examines the film to identify manifestations of internalized Islamophobia and its representation of Muslim characters within Moroccan society. By analyzing cinematic elements, narrative choices, and character portrayals, the study highlights the subtle and overt biases embedded in the storytelling. The findings aim to contribute to a deeper understanding of how Islamophobia operates in Muslim-majority contexts and its implications for cultural narratives and identity construction in Moroccan cinema.
Presenters
Omar KouiyachePhD Candidate, Cultural and Performance Research Group, Abdelmalek Essaadi University, Morocco
Details
Presentation Type
Paper Presentation in a Themed Session
Theme
KEYWORDS
INTERNALIZED ISLAMOPHOBIA, MOROCCAN CINEMA, REPRESENTATION, HORSES OF GOD, NABIL AYOUCH
